Categorie archieven: CLOUD

Residency| Confluences: Experiments in Rhythms and Reading | Emilie Gallier, Teoma Naccarato

TactileEnunciations_Confluences

Residency from February 27 – March 5 + Workshop on Thursday March 2, 5pm 7pm

Two rivers spill into each other. Each body of water has a unique rhythm, temperature, and composition, so the process of mixing is gradual and dynamic. Confluence involves collision, resistance, and mediation – in context.  During our residency at Cloud, we will explore confluences across analog and digital materialities, through tactile gazing and listening between partners, and with objects. Using stethoscopes and transducers, we will play with how sounds from the body and environment can be (re)materialized and (re)distributed as haptic feedback in the surfaces of paper and skin.  We share practices that involve breathing and sensorial exercises as a way to tune the act of reading into  a tactile activity.  Additionally, we engage in experiential modes of writing (sensorial writing, the text as body, the sensing body reading, drawing, and writing), and experimental reading (play with visual range, reading to each other, reading and dreaming). As we listen and read, the channels of confluence multiply and overflow, leading us to examine moments of dissonance and interruption within collective practice and creation.

Key interests: Rhythm, Attending the imagination of others, Listening, Reading, Dreaming, Materialities, Analog-Digital.

Bios

Teoma J. Naccarato (Montréal, Canada / London, UK) is a choreographer and interdisciplinary arts researcher. Through her collaborative creations for stage and installation, she explores the appropriation of surveillance and biomedical technologies in contemporary dance and performance. Her work proposes promiscuous encounters between participants, human and nonhuman, to provoke intimacy, vulnerability, and uncertainty. She has shared choreography internationally, with recent presentations of Experience #1167, Synchronism, and X. Naccarato has an MFA in Dance from the Ohio State University, and is presently pursuing a practice-based PhD at the Centre for Dance Research (C-DaRE) at Coventry University. www.naccarato.org/dance

Emilie Gallier is a French choreographer ( PØST Cie) and a researcher (C-DaRE Coventry University) living in Leiden (NL). Her work shows recurring subjects of imagination, sensation and thought. She uses the writing of movement and the movement of reading (scores and choreographic objects) to research relation within theater, probing exchanges between spectators. Her dance performances on stage and on paper, her lectures and workshops are presented in The Netherlands and Europe. Since 2016, PhD Candidate in Coventry, she graduated in 2012 from the Master of Choreography at ArtEZ (Arnhem). Before that she attended the program Transforme with Myriam Gourfink and learned Laban kinetography at the Conservatoire de Paris. As part of her practice, Emilie Gallier writes, edits, teaches, performs, collaborates (Rosie Heinrich, Tilman Andris, Clémence Coconnier), works as a mentor, a lecturer, member of the artists-run cultural space CLOUD in The Hague. Current projects include Trouble Wit and Read. Move. Implicated. www.post-cie.com

Workshop | Relational Listening, with the Heart | Naccarato & MacCallum

thumbnail_13627137_1235544493145584_3422618617906931068_n

Workshop: February 26, 2017 from 2pm to 5pm
Suggested contribution €20
Register by email.
The workshop is a moment of sharing within the residency of Teoma Naccaroto and John MacCallum. Read more here.

This workshop explores listening techniques between performers, in scenarios mediated by biosensors and biofeedback. Together, we will investigate a seemingly simple task: listening to and relating with a click-track.  At times the click track will be generated by computer software, while in other moments the pulse will be derived in real-time from an electrocardiogram, worn by a dancer. As performers your challenge is not to follow, nor to anticipate the pulse. Instead, we ask that you attend to your unstable temporal relationship with the click track, such that you have agency to assemble and adapt the rhythmic textures that emerge between your actions and the media. This training process is highly structured and repetitive, and involves breathing, shifting weight, and eventually performing choreographic and musical scores in relation with the variable click track.

Bios

Teoma J. Naccarato (Montréal, Canada / London, UK) is a choreographer and interdisciplinary arts researcher. Through her collaborative creations for stage and installation, she explores the appropriation of surveillance and biomedical technologies in contemporary dance and performance. Her work proposes promiscuous encounters between participants, human and nonhuman, to provoke intimacy, vulnerability, and uncertainty. She has shared choreography internationally, with recent presentations of Experience #1167, Synchronism, and X.  Naccarato has an MFA in Dance from the Ohio State University, and is presently pursuing a practice-based PhD at the Centre for Dance Research (C-DaRE) at Coventry University. www.naccarato.org/dance

John MacCallum (Oakland, USA / Paris, France) is a composer based, since 2004, in Oakland, California. His work is heavily reliant on technology both as a compositional tool and as an integral aspect of performance. His works often employ carefully constrained algorithms that are allowed to evolve differently and yet predictably each time they are performed. MacCallum studied at the University of the Pacific (B.M.), McGill University (M.M.), and UC Berkeley (Ph.D., Music Composition), following which he was awarded a postdoc for several years at the Center for New Music and Audio Technologies (CNMAT). Currently, MacCallum is a postdoctoral researcher with the Extreme Interaction (EX-SITU) research team at Inria Saclay/Université Paris-Sud/CNRS. Visit: john-maccallum.com

Residency | Teoma Naccarato and John MacCallum

 

Relational listening

Residency from February 20-26 + Workshop on February 26, 2pm 5pm

In this long-term artistic research and creation project, we employ biosensors as a means to intervene in our collaborative practice, with regards to understandings of bodies and time in performance. We are developing installations, performances, and workshops, each of which acts as micro-event in which to actualize and examine our approach to interaction design, based on relational awareness and contextual exchange between performers, media, and audience. During our residency at Cloud, our focus will be dual: firstly, we will elaborate our techniques for relational listening between dancers and musicians; secondly, we will work on the choreography and composition of III, a live performance to premiere in April 2017 in Montreal, Canada. We will share aspects of our project with the local community through a lecture-demonstration, as well as a full day workshop for dancers and musicians.

Project Blog: https://ccinternaltime.wordpress.com

Bios

Teoma J. Naccarato (Montréal, Canada / London, UK) is a choreographer and interdisciplinary arts researcher. Through her collaborative creations for stage and installation, she explores the appropriation of surveillance and biomedical technologies in contemporary dance and performance. Her work proposes promiscuous encounters between participants, human and nonhuman, to provoke intimacy, vulnerability, and uncertainty. She has shared choreography internationally, with recent presentations of Experience #1167, Synchronism, and X. Naccarato has an MFA in Dance from the Ohio State University, and is presently pursuing a practice-based PhD at the Centre for Dance Research (C-DaRE) at Coventry University. http://www.naccarato.org/dance

John MacCallum (Oakland, USA / Paris, France) is a composer based, since 2004, in Oakland, California. His work is heavily reliant on technology both as a compositional tool and as an integral aspect of performance. His works often employ carefully constrained algorithms that are allowed to evolve differently and yet predictably each time they are performed. MacCallum studied at the University of the Pacific (B.M.), McGill University (M.M.), and UC Berkeley (Ph.D., Music Composition), following which he was awarded a postdoc for several years at the Center for New Music and Audio Technologies (CNMAT). Currently, MacCallum is a postdoctoral researcher with the Extreme Interaction (EX-SITU) research team at Inria Saclay/Université Paris-Sud/CNRS. http://john-maccallum.com

Laura Boudou (Marseille, France) is a contemporary dancer and choreographer. Since 2013, she has performed professionally with choreographers in France, including Shlomi Tuizer/Edmond Russo, Samir El Yamni, Lionel Hoche, Patrice Barthès, Nicolas Hubert, and Patrick Servius. Boudou’s choreographic work examines the sharing and negotiation of differences within human relationships, to build deeper understanding and intimacy.  Recent creations include LOVOL in public space in collaboration with Sophia Boudou Archiecte-scenographe, B333 (2016), Voile de croissance (2012).

Residency | Crossing | Tizo All

23-26 March & 6-9 April 2017
For inquiries regarding schedule and attendance, please e-mail: tizoall@gmail.com

Crossing is a movement towards…
something new, different, unexpected, desired

About the Lab

The Crossing Lab 2016, hosted by the “The Performance Bar”, Rotterdam, brought fourteen people together from different backgrounds in the art scene or even detached from that, to experience a collective process based on movement and crossing into new paths of consciousness. Crossing was a Laboratory designed to dig into possibilities of movement and relationship found within the group and into it. The process developed a choreography made by each one and every one in relation. The residence will give us more time to research and bring out new parts of this process in terms of movement and creativity. The aim of this residence is the process itself and to establish into the group ways of crossing life-paths artistically and personally.

Furthermore, the residence is the time to explore, research ways of crossing. The focus is the body –and the aim is the transformation of life. Either in or out the transformation is continuously happening, the decision is how to print it out. Public presentations will be arranged and realized according to the decision of the group.

This year Cloud/Danslab hosts the following steps of this process. We open a call to those who want to experience it, take part of the residence and build up an artistic process in  collaborative ways.

Crossing is addressed to those whose lives is willing to go into an artistic process and the main research of this process is body and movement. Every professional of art, student, doctor, housewife, salesperson… interested about contemporary art, body-consciousness and process-making are very welcome to participate in this artistic residence. As well as people interested in photography and video, that eventually want to cover and document the residence. Every single open heart, researchers in new perceptions, states of body-and-mind, are also welcome to join us –in general, all people with the commitment of doing a collective process engaging into transformation, either individual or global.

The residence is free of charge, only the costs of the studio and if necessary, props will be divided amongst the participants. More details about schedule and attendance-please contact me.

Tizo All – My role in it :

In this process I act as a facilitator – giving input and collecting impressions, giving body dynamic practices that allow each individual to get into the creative, imaginative body. Since 2003 I’ve been developing artworks transitioning between dance, theater and cinema. Working individually or in group-processes among the places that I’ve been living and working, such as Brazil, several countries in Europe and in Asia. My goals in life as well as in art are: transformation, relationship, openness to new perceptions of the human development, to be creative and blend art and life in the same level of consciousness. My passion is the body-mind transformation, the continuous process of discovering new possibilities, of relationships that connects art and movement.

Residency | Exploring Vibration & Pattern Rhythmicity | Sharon Stewart & Bettina Neuhaus

CLOUD is happy to welcome Sharon Stewart & Bettina Neuhaus for their residency in February!

Exploring Vibrational and Natural Pattern Rhythmicity:
Saturation and Distillation in Body and Sound

Stewart & Neuhaus aim to investigate how the body – with its tangible, palpable matter and its immaterial facets – responds and relates to sound on the level of vibration, vibrational rhythmicity and rhythms generated by natural patterns (see below) and how rhythms of the body inspire the generation of sound and sonic vibrations.
● How do sound vibrations alter the rhythmicity of the permeable physical body – vibrating bones, tissues and organs – and stimulate movement? This raises the question: what is inner (response to) rhythmicity as revealed in movement?
● How do external sound vibrations travel through the body and influence it in terms of directionality?
● What is the role of space as a connecting and transmitting medium between body and
sound?

What we include with sonic vibrational rhythmicity is based on the understanding that vibrations might be considered sped-up “beats,” which can be manipulated through interference, playing with constructive and destructive interference, to generate pulses and using panning and LFO’s to manipulate these phenomena, for example. With natural pattern rhythmicity, we explore the transient peaks or amplitude curves of sounds that might be considered “natural,” such as that of flowing water or the choruses of birds or insects.We will also address the rhythmicity of the body – heartbeat, breath and brainwaves – to the extent that we are able with the technology available. These natural patterns will be examined and exploited for their rhythmic qualities: used either in their unedited version or to drive synthesized sound.

This material – (manipulated) sine (or more complex) waves with their interference patterns and digitally augmented and/or transformed natural pattern rhythms – will be used to create a quadraphonic soundscape that will impact the body of the dancer, create sympathetic vibrations in the sounding space and enter the bodies of the audience as well. If technically possible, we will try to create a responsive system in which the sound is in some way affected/controlled by the dancer. During the residency these explorations and this research will be continually sifted for the compositional material it offers.

About the artists

Bettina Neuhaus is an Amsterdam-based dance artist and researcher who has been working in the field of performance internationally for more than 25 years, collaborating with dancers, musicians, visual artists, poets and philosophers. In addition to her work as prominent improviser, she creates performative installations, site-specific performances and lecture-demonstrations. Propelled by her ongoing fascination with the body in motion – its intelligence, imagination and transformative nature – her work emphasizes the fluid use of the entire spectrum of expression: moving, sounding and speaking.
www.bettinaneuhaus.com

Sharon Stewart studied piano at the Utrecht School of the Arts, Faculty of Music, and later completed a Masters in Music Pedagogy at the Royal Conservatoire, The Hague, where she focused on feminism, improvisation and technology in a music pedagogical practice. Works with dancers have been performed at festivals and other venues in Arnhem, Nijmegen, Amsterdam, The Hague (NL), Copenhagen (DE) and Marseilles (FR). Field recordings form an inspirational basis for many of her compositions. Sharon became certified in Deep Listening, with Pauline Oliveros, IONE and Heloise Gold in 2011 and is now a teacher for the online Deep Listening program at RPI.
www.handsonpiano.nl
www.sonicstudies.org
www.soundcloud.com/sharonrstewart

Workshop SPIRAAL |Contemporary whirling | Valentina Lacmanovic

5 February | 13:00 – 20:00 | Early bird €85,-
Check: Facebook event

SPIRAAL is an original, contemporary approach to whirling movements. This approach was developed by Valentina Lacmanović, based on art, science research and practice.

Spiraling movement is at the core of our galaxy, our DNA, it is the force of nature in hurricanes and vortices. Spiraling patterns can be found in the shape of our fingerprint and the form of Time. It is a powerful instrument that leads towards harmonizing our physical, mental, emotional and energy bodies.

SPIRAAL workshop proposes an intensive work on sustained spiraling movement technique, disorientation, listening and body/mind (dis)connection. In a safe environment, participants travel through trance-like states and learn how to tap into the creative flow.

The build-up is inspired by techniques of breathing, internal martial arts and organic approach to body and mind motion. An introduction to ritualistic elements in contemporary performance is given through structured improvisations.

*Suitable for anyone engaged in corporal practice (dancers, performers, actors, martial arts or yoga practitioners… both amateurs and professionals). OPEN LEVEL!

Registration
Early Bird till 14th of January €85,-
Regular price after 14th of January €100,-

Registration via email: cloud.danslab@gmail.com

Visit: www.valentinalacmanovic.com

Action Dance Workshop | Sandra Kramerova

3
ACTION DANCE WORKSHOP

Date: January 7th 2017
Time: 2-4 pm

Price:
early bird (till 24th Dec) €10
after 24th Dec: €15 

registration via email: sandy006@gmail.com

Action dance workshop with Sandra Kramerova is geared towards exploration of technicality, dynamic modalities and aesthetics of athleticism. Participants investigate explosive potential of movement, tap their imagination through action based improvisations and transform everyday material into choreography. The focus is on energy flow, impulse driven functional motion, risk taking, contact, creative decision making, expressivity and artistry.

Sandra Kramerová is Slovak born and Israel/New York crafted dancer and choreographer. She is immersed in practices of contemporary dance, physical theater, improvisation and somatics. Before her Dance MFA studies in NY Sandra participated in Kibbutz Contemporary Dance Company’s International Program in Israel. Sandra performed and choreographed works presented internationally at BAM Fisher, Danspace Project, Dixon Place (NYC, USA), Zichri Theater (Israel) and at other venues in Slovakia and abroad.

https://vimeo.com/kramerova

Residency|Christina Karagianni & Pierre Magendie|KTC

ktc11 -16 December 2016

Presentation:  16 december 20:00u.

KTC stands for KammerTanz Coop. We are an open bunch of artists mainly trained in dance at the Greek State School of Dance (aka KSOT) but willing to experiment and create at the intersection of choreography and performance arts, whether live music, video art, comedy, fashion runway. Originally constituted in 2011 in Athens by Christina Karagianni (GR/ND) and Pierre Magendie (FR), the crew evolved according to the needs of its creators and creations.

vimeo : https://vimeo.com/user6848649

For the sake of reunion and dealing with the consequences of a reunion. After having had worked together in the past, the interest to work together again has arisen. We are challenged to create – within a restricted time frame – a contingent and open practiced situation where we discuss one our how-abouts. How to relate to one another, how to share in real-time our working methods and how to update what has happened during KTC hiatus era.

With our reunion we are questioning the working conditions of the artistic field. This is a reunion and not a project based meeting. By working this direction we are questioning the restrictive temporal dimension of a project (which presupposes outset and finalization and working towards an aim) and which is dominant in the processes of making in the contemporary artistic field. (See The Project Horizon: On the Temporality of Making by Bojana Kunst). Our reunion has no strategy and plan. We welcome the possibility of a disaster.

schermafbeelding-2016-12-17-om-20-41-07

schermafbeelding-2016-12-17-om-20-32-31

 

Residency | Lowlands Light project | DalioArts

monica

13 November – 18 December 2016

Movement labs | Wednesday 30 nov 10:00-12:00 / Monday 5 and 12 dec 20:00-22:00| €5/lab

Presentation |jan 2017 more details soon|

Monica Sharon is a choreographer and filmmaker with DalioArts, a performing arts collective which aims to create work in collaboration with artists of various disciplines. She is currently in residence at the DCR guest studios, along with choreographer Angela Fegers and visual artist Taffy Boudewijns, who are also a part of DalioArts.

She is here to start the creation of Lowlands Light project, an interdisciplinary installation combining dance, light sculptures, film and live music. Currently, she is at research stage of the movement section of the project.

The Lowlands Light Project aims to culminate into an interactive installation that combines choreography, light sculptures, short films and a color of choice. Each color chosen on the four button switchboard corresponds to a certain choreography, film and multiple light sculptures, strategically placed, to illuminate the performer. The way the performance unfolds is decided by the participator, who will choose an order of colors without knowing the outcome beforehand.

At the Cloud/Danslab, we aim to research, experiment, learn and connect with the community. Through movement research and experimentation within the space, we look to find ways of moving that can be transferred to different sites, while experimenting with compositional structures, such as the chance theory. Our research days are our lab days where we experiment, play and explore.

Through our weekly classes, we connect with the community, experiment, research and learn from our participants as much as we hope they would learn from us. An exchange in knowledge and ideas is what we look for in every class we lead. We do not consider ourselves to be the sole teachers of the classes, but merely a guide to encourage the exchange of ideas and knowledge.
At the end of our time here at the Cloud/Danslab, we will finish with a small, informal showing with a concept in support of our current piece, The Lowlands Light project. This showing will be just a taste of what’s to come in the near future.

http://www.gueststudio.com

Residency | Ludic Collective

ludic-img

10 – 23 October 2016

Presentation | by invitation
Movement Labs | contact: ludic.collective@gmail.com

Ludic Collective would like to present their focus and meditate on how their interests convert into movement/choreographic processes:

1. How can you dance/choreograph without being a dancer/choreographer – in terms of studies.

2. How can you dance without having to copy movements from someone else.
Every dancer is their own choreographer.  Not using one’s individuality is a limitation.

“Two minds are better than one; we don’t believe in hierarchy and fixed roles in performance making. We are very interested in skill-swapping and strong collaboration throughout the creation and development of a project – it is not only the choreographers that work with dancers, it is also the musician, scenographer, producer that can act as choreographers.”

During this residency we will be working on two subjects:

Inverted Planet- an immersive performance : we want to explore how our physicalities and psychologies respond to extreme speculative changes – gravitational/geological/biological… –  in our surroundings.

Our focus lies in the diverse nature of people: their culture/ backgrounds,  memories, ways of seeing, moving, speaking etc. Whatever form we undertake, we find contents from the participants and collaborators. 

Perception as Movement Generator: we are interested in exploring how our perception about external stimuli/objects can be physicalised, and therefore work as movement generator.

When doing the exercises rather than starting from nothing, Ludic wishes to introduce a formula, which will help the performers to construct a working process method that will almost work like a machine. 


Ludic Manipesto

We are  serious. We are very serious about not being serious.

We are Ludic.

We make many attempts

Attempts to do what?

Attempts to create, make and explore

Explore what?

Maybe art, maybe food, maybe just some time with some people.

We make
non-theatrical theatre
non-dramatic drama
non-literary literature
non-musical music

and non-performative performances.

But we are not, not necessarily, using these opposite views as our motivation.

 We are not ideally post-anything.

We just want what we want.

We evolve around nice food, good people and excitement.

We tend to add subtle elements and details to our performances just as much as we tend to add oregano and paprika in our dishes.

 We really like the small things. The big things are for adults. We are not there yet, nor will we ever get there.

We respect unintentional process and its consequences.

These manifesto can be easily contradicted by any of us.


Visitwww.ludiccollective.com

CLOUD Club #13 Hypnosonic Encounters with the Unknown | with Virginie Dubois

Next CLOUD Club will be a sonic trip to the unknown. Guided by sound artist Virginie Dubois (FR/NL), we’ll depart on a trance session, with sounds from here and the beyond. Virginie is preparing a new piece specially for this occasion, and you’re invited to join her experiment of ‘entrainment’ at the CLOUD/Danslab studio.

Entrainment in Biomusicology in the synchronization of organisms to an external rhythm. Together and with the construction of rhythms provided by Virginie, we’ll tremble, shiver and burst to beats from around the world.

This will be the first time that CLOUD Club hosts a sound artist to provide the dancing experience. CLOUD Club is an experimental  space to engage artists, choreographers, dancers, movers of all kinds and the audience on the dance-floor. Organized by CLOUD members Fazle Shairmahomed and Ludmila Rodrigues.

We hope to see you then!

Friday 21st October 2016
Doors open at 20:30
Session starts at 21:00
(No entrance after 21:00)

Please be on time!
No shoes allowed, socks will rock!
Contribution € 7,00
Feel free to bring your own drinks


About Virginie Dubois:

Virginie Dubois (FR, 1977) completed her art studies at the KABK Royal Academy of Arts & Koncon/Royal Conservatory in The Hague in 2013, and received a second master degree in applied arts at the Sandberg Institute, Amsterdam in 2014.
Her work focuses on the relationship between sound, space and architecture; and more generally between sound and the listener.
Using architecture and urban places as musical instruments, Dubois explores the sonority of space and develops sound installations, sound walks and public interventions with the idea to enhance the acoustic qualities of the space.

“In my approach, ‘walking’ and ‘listening’ are essential: they are the fundamental tools at the heart of my practice. By bringing awareness and presence to simple actions and social behaviors, my goal is to invite the audience to experience ‘listening’ as a playful and powerful methodology.
From walking to intentionally wandering, from hearing to carefully listening, one will learn how to consciously, and fully partake to the environment.
It is then, that the perception of sound becomes a spatial event, a material phenomenon, and a physiological experience.”
www.virginiedubois.com

Workshop | Egyptian dance with live music | Laura de Gaspari

Saturday, 3 September 13:30-18:00
Early Bird €50,- till 10 August
Late Bird €60,- after 10 August
Facebook

The joy and freedom of dance: an experience to go deeper into our bodies through the wisdom of ancient moves.
Egyptian/Arabic dance with master musician Sattar Al Saadi: a search for the Beauty of essential movement.

First part:
Energizing warm up by means of natural breathing and movement techniques to awaken the body to its inner energy and wisdom.
A natural posture with a strong centre and an aligned spine which allow the natural flow of movement. Floating arms on a centred body. Searching for the purity of essential movements in Classical Egyptian/Arabic dance: lines, curves, walk.
Elements of free improvisations on live music .

Second part: Ritualistic and Sufi elements on the subtle and powerful rhythms of the Bendir. Joy and freedom of dance!

For whom: The workshops is for all levels and dancers of all background with an openness to the experience. It will suit beginners and advanced dancers because we will go to the essence of movement.

To register, please contact Laura de Gaspari via Facebook or by mail: lmdegaspari@gmail.com