Tag Archives: research

RESIDENCY LO BIL

18 – 24 March 2019

workshop & presentation 23 March 18:30

lo bil is a York University Interdisciplinary Masters student creating body-based performance art using cross-disciplinary methodologies to correlate research into process, pleasure, vulnerability, an aesthetics of feeling, and the impacts of a social location on identity. Through non-repeated performance gestures, lo generates intuitive research into academic concepts by using physical improvisation, spontaneous utterance, impulse- based scores, object manipulation, and interrelational proposals with audience. Her work has been called “raw”, “amusing”, “transparent”, and often involves creating a feedback loop with the audience.

I am developing a performance-research practice of “dropping” questions into the body, aiming for “non-repeatability” and moving on intuition as a method for understanding philosophical texts.

Encouraging myself to move into states of intoxication through movement provides an entry-point into my unconscious image life, connecting abstract physical impulses to sublimated content by letting speech effect movements and movements affect speech. Making this physical practice into a performative one, layers on an interrelational complication, to notice how the body responds to itself while being seen by others – in this state of hyper-awareness and “felt knowing” – thoughts surface differently.

In this performance lecture, the one I am performing during the Performance Philosophy Conference in Amsterdam, I ask how 3-4 texts are related at the beginning and I follow what my body does in the space and time in front of the audience. I don’t focus on the question, I focus on what my body is drawn to as a non-linear opportunity kinesthetically answer the question. I integrate these spontaneous emanations by accepting what occurs as part of the answer. This is a wild testing of the belief that the body knows in ways that the mind cannot access unless intuitive movement occurs.

I become aware of “habits” or psycho-physical patterns of movement and related thought sequences from memory. I try to identify, deconstruct and reorder these habitual patterns into non-repeatable forms, disrupting psychic material that surfaces. I want to interrogate habits that are blocking my ability to create new ways of thinking. I will prepare with texts by Butler, Nancy, Deleuze and Guttari, Ranciere and Agamben.

ARTIST STATEMENT:

I am a Performance Artist. I write with images – sourcing my work from my own identity transparently and investigating my philosophical problems with improvisatory actions and object relationships. I offer audience situations and provocations to dream around. I offer a context for people to think of their own questions and notice their own desires.

I practice for months, but in the moment before the performance, I let go of what I want to happen or expect to do. I ask, “How can I be in front of this audience in an attentive and receptive way and what is moving to me about the topic at hand right now?” I do this action. This first mark on the canvas is an offer that I follow through to the end of the composition. I use body memory as a generative source of possible exchange and inquiry. In this way, I am researching my knowledge and lack of knowledge; I am accepting the reality of my body, the reality of my economic state, the reality of my class, my gender and all unknown aspects of my history.

This performance style is a DIY strategy where in body and thought I am ready to perform at any moment in alignment with my own integrity and the nature and energy of the people present. The “currency” of this methodology is the responsiveness to context – information can be immediately incorporated into the texture, movement, and conversation with the audience – thus the work allows us to unpack questions in a collective way.

I am also researching what it is that elevates my consciousness in the moment of performance – that energetic flow that allows meaning to emerge that I could not have realized if I had not made the performance. This question has come from my constant radical doubt around: why perform at all? I keep performing because actually it is in the moment of performance that I don’t know where I’m going, that I can look back at and say: I know where I am going now, thanks to this performance. As crazy or wild as the performative state can be, it leads me into knowledge.

I would love to have conversations with local artists to help generate more context for the performance proposals and for my thesis writing.
If you are interested please contact me : lbil@rogers.com

Blog : http://lo-bil.tumblr.com/ 

Beauty… Once… Then… Now

Research and presentation
Dance:
Manuela Tessi

Choreography:
Paul Estabrook

Music:
Alfredo Genovesi

A dialogue between past and present – memory and conjecture – what
was, what is, what may have been.

What is beauty?

Why is beauty so important?

Is it what we find most ugly that we find most beautiful?

Do we chase beauty – or does beauty chase us?

With these questions and this research we have been exploring the
iconography of beauty, dance, pain and joy and how we create,use and
portray those icons.

The showing is at 19.00 – (are we sharing the evening or not)?

Presentation: Jack Gallagher and Eline van Ark

Research and Development in search of feedback

 

ULTERIOR

*Made in Holland*
Jack Gallagher and Eline van Ark are working on a solo. It is about dismantling all the shoulds in dance making and instead activating the performative pallet that they both bring with them every day into every process.
This Sunday they present the result of phase II:

6 pieces of music, 6 different genres, 18 pillows and a black suit.

35 minutes

 

Sunday 13 April, 18:30
CLOUD studio

Come and see refreshing combinations of dance stuff that doesn’t belong together. Not as a hodge podge, but as a fusion and an evolution.

Ulterior flyer 1 small

Of course we’re looking for quality here, so we made some rules:

> No original steps
> No original production designs
> No illusions of Grandeur about the piece and it’s future
> No nudity
> No seduction of the audience
> No selling of sex
> No suspending disbelief
> No pretentions about a special crowd with a special gaze
> Art as crowd pleaser but in ways they least expect it…
> It will be intellectual accidentally
> Play the situation from inside out
> Gender is not performed but embedded in the gaze of the audience

Because in the end, that’s what CLOUD is for, to try weird things :)

Come help us figure out what we’re doing.

Leonie Kuipers Performative Merging Games

With a group of people I want to explore how you can achieve an evolution in movement through playful exercises. With simple movement actions such as walking, standing still, moving in spatial figures and moving in layers in height, we explore how movement develops in space. I research the idea of connection and patterns, logic and dynamics that arise. The goal is to develop movement games that lead to interesting results in terms of choreography. I invite you to move and puzzle along!

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In deze werksessie wordt onderzocht hoe speelse oefeningen leiden tot ontwikkeling in beweging. Dit doen we aan de hand van simpele bewegingsacties als lopen, stilstaan het bewegen in ruimtelijke figuren en het verplaatsen in hoogtelagen. We onderzoeken het idee van verbinding en kijken naar logica, patronen en dynamieken die ontstaan. Ik nodig je uit om mee te bewegen en te puzzelen!

 


© Leonie Kuipers