We have the pleasure to announce that dance artist, singer and songwriter Lily Kiara is going to teach a wonderful workshop Skinner Releasing Technique.
This technique is an innovative approach to dance and movement training, developed by Joan Skinner. It is designed to ease tension by promoting effortless moving and integrated dynamic alignment of the whole self. The teaching strongly draws on guided imagery and hands-on partner studies, supporting an experiential understanding of both the technical and the creative process in movement.
Training bodies and beings as independent imaginative dancers and makers.
KXKXA is emotion is internet is feminist is feelings is the city is economy is drastic is being emo is shady pink is salt in the wound is love is broken is adventurous is grotesque is dramatic is lost is empty is terrible is black is black is black is black is black is black is black is love is crass is horrific is happening is hopeful is dreaming maybe is terrorism is gun-happy is sad is father is mastery is cleansing is ritual is creating is deepening is destructive is destroying me is destroying is destroying every little thing and every large thing is concubine is mistress is deep is intangible is garbage
About Marikiscrycrycry a.k.a. Malik Nashad Sharpe
Marikiscrycrycry is the performance project of London-based choreographer and artist Malik Nashad Sharpe (b. 1992, New York). They make emotional choreographies that are less like descriptors of themes and more like worlds in themselves. Their work deals primarily with the social imprints and inflections left on the body, existentialism, the necessity to proliferate pro-Queer and pro-Black aesthetics under neoliberal hegemonies, choreography as an expanded formal proposition, and allostatic load. Originally making work in DIY contexts across New York City, their choreography considers aesthetic production and situational politics as radical forms of production. They consider choreography as a tool to suggest ulterior and subversive critiques of an otherwise phobic and unaccommodating world.
Natsu Nakajima, one of the oldest female Butoh dancers, Tatsumi Hijikata’s first female dancer, a founding member of Butoh movement in Tokyo, gives a series of workshops, butoh lectures and performances in Budapest, Barcelona, Berlin and Hague in September and October 2017.
We are very honored to have this unique short performance of Natsu Nakajima in CLOUD/danslab. Her performance will be followed by a group improvisation by some of the dancers of the Butoh workshop which takes place from 18-22 October in CLOUD/danslab.
“For me, Ankoku Butoh is not a school but a journey and a place where I learn about the invisible. At the moment of the birth of dance I experience the union of mind and body and transcend my tiny self to feel a great power, great love”.
Doors open 19:00
Entrance: 5 euro
Reservations by mail: firstname.lastname@example.org
ABOUT NATSU NAKAJIMA Natsu Nakajima (b. 1943 Sakhalin, Japan) has been one of the most prominent figures in Butoh dance since its foundation in Tokyo in the 1960s, and one of its foremost pioneers abroad. Training under both Hijikata Tatsumi and Kazuo Ohno, Nakajima went on to establish her own dance company, Muteki-sha, in 1969, with whom she has been performing and choreographing internationally since the early 1980s. Her highly acclaimed performance of ‘Niwa’ at LIFT ‘83 (London) marked the beginning of this international touring career, and led to performances at festivals such as FIND (Montreal), the Nancy Festival, and the Sydney Biennale.
In addition to her performance and choreographic work, Nakajima has over thirty years of experience as a teacher, and has been one of the forerunners of dance for the disabled in Japan. www.geocities.jp/mutekisha/index1-e.html
Over the past seven months the studio has been renovated with the support of Gemeente Den Haag and Fonds1818. A brand new dance floor has been placed. Come and feel it, it’s a delight to dance on! Also new mirrors and an improved audio system have been installed. In collaboration with the DCR, we are making steps towards CLOUD’s visibility from the street side and soon we will be able to totally blind the space whenever needed (for specific presentations and video-projections that require darkness)
We welcome you to have a look during one of the presentations or classes that take place in CLOUD, to experience what the space has to offer you!
With many thanks to Gemeente Den Haag and Fonds1818!
Roberta offers 2 dance classes, on Tuesday evening of 19th and 26th of September from 18.00 to 19.30, contribution € 7. All movers are welcome!!
The dance class is a proposal to realize one´s individual dance while following the propriate bodily wisdom, the movement ensuing from one´s nature and intimacy. The outer perspective of the fundamental bodily principles is used as a tool to support learning from within. To work in this way means to let oneself be guided by the inner process while progressively building the alertness to the minor outer changes. At the same time, through this deep concentration and attunement to one´s self, the parallel unpronounceable pre-conscious processes can unfold and nurture our imagination, our dance. The inner is then continuously articulated and at any moment transformed by the outer. So the whole being takes care of its various levels of becoming.
for more information on Roberta’s work: please check her website: http://robertastepankova.com/
Join Sandra Kramerova at Cloud for Action Dance workshop every second Saturday of the month! Sept 9, Oct 14, Nov 18 and Dec 9 14:00-16:00 . Come explore athleticism and physical theater of effort though imagination and action based improvisations. Action Dance workshops focus on energy flow, functional motion, creative decision making and anatomical expressivity. The first workshop is happening on Saturday September 9th at 16:00 as part of DCR Festival. Come try it out for free!
THIS WORKSHOP IS UNFORTUNATELY CANCELLED, BUT PLEASE CHECK OUT ANOTHER BODY WEATHER WORKSHOP END OF SEPTEMBER IN AMSTERDAM
Saturday 23 September 10:00 – 16:00
Sunday 24 September 13:00 – 18:00 >> Facebook event
Body Weather is a comprehensive approach to training and performance that investigates the intersections of bodies and their environments. Bodies are conceived not as fixed and separate entities but as constantly changing – just like the weather. Weather is seen as a complex system of forces and influences coursing through and beyond bodies and the world.The term and philosophical basis for Body Weather was founded in the early 1980’s by dancer Min Tanaka and further developed by Laboratories worldwide.
After a thorough training and work with a partner on breathing, stretching, alignment and the notion of ‘relaxation’ in the morning, we will delve into the particulars of improvisation in dance and movement. We’ll explore both physical and mental states of being and creating movement, improvise on non-existing scores, inspect prevalent habits and patterns and engage in Oulipian games.
As a training, Body Weather is of relevance to anyone interested in exploring the body and physical presence and this workshop is suited to dance, theatre and movement practitioners, and to artists of various backgrounds.
About Frank van de Ven
Frank van de Ven was a member of Tanaka’s Maijuku Performance Company in Japan, from 1983-1991. With Katerina Bakatsaki he leads Body Weather Amsterdam, a platform for training and performance. He has an ongoing commitment to the Body/Landscape projects conducted worldwide..
For more info on Body Weather A‘dam see www.bodyweatheramsterdam.blogspot.com
About Astarti Athanasiadou
Astarti Athanasiadou works as choreographer, performer and teacher. She studied dance, choreography and performance studies in Athens (GR), Lausanne (CH) and Malta, and holds a Master in Art Praxis from the Dutch Art Institute, Artez, NL. Astarti releases work under the aliases of bad royale and achaperformance. She has been practicing Body Weather since 2009 with Frank van de Ven, Katerina Bakatsaki and Hisako Horikawa. For more info see http://astarti-athanasiadou.com/
Registration & Schedule
Saturday 23 September 10:00 – 16:00
Sunday 24 September 13:00 – 18:00
Regular € 110,-
Registration and contact: cloud.danslab(at)gmail.com
We are happy to announce the third European tour of Natsu Nakajima in Berlin, the Hague, and Barcelona. Natsu Nakajima (1943 Sakhalin, Japan) is one of the founding members of Butoh movement in Tokyo since the 1960s, and is one of its foremost pioneers abroad.
Combining Hijikata’s choreographic methods with the improvisation intelligence taught by Kazuo Ohno, as well as the long choreographic and performance expertise of Nakajima herself, this workshop will prepare you for sensitive improvisation work, choreographic aptitude, and performance integrity. Natsu Nakajima will teach not only the physical techniques, but also the background of Butoh conceptions and ideas. Content:
KATSUGEN activity (living vital force activity) by Noguchi Method
body & vocalization
Vocabulary (how to combine theatrical action & dancing movement)
rhythm (time) and space
Various energy qualities
Butoh-fu (Butoh Notation) from Hijikata’s work: how to use Butoh-fu and to combine with Hijikata’s method and Kazuo Ohno’s method.
About Natsu Nakajima
Natsu Nakajima (b. 1943 Sakhalin, Japan) has been one of the most prominent figures in Butoh dance since its foundation in Tokyo in the 1960s, and one of its foremost pioneers abroad. Training under both Hijikata Tatsumi and Kazuo Ohno, Nakajima went on to establish her own dance company, Muteki-sha, in 1969, with whom she has been performing and choreographing internationally since the early 1980s. Her highly acclaimed performance of ‘Niwa’ at LIFT ‘83 (London) marked the beginning of this international touring career, and led to performances at festivals such as FIND (Montreal), the Nancy Festival, and the Sydney Biennale. In addition to her performance and choreographic work, Nakajima has over thirty years of experience as a teacher, and has been one of the forerunners of dance for the disabled in Japan.
Ankoku Butoh (暗黒舞踏) – dance of darkness Hijikata Tatsumi, who passed away in 1986, is the originator of Ankoku Butoh; and Ohno Kazuo (1906-2010), an extraordinary and rare dancer, was his great collaborator. Hijikata was like Picasso; every season, he would change the style of his works like a chameleon. This partly explains why each of his disciples developed very different working styles. Natsu Nakajima was among the founding members of the Ankoku Butoh movement and belongs to the first generation.
Ankoku Butoh is a movement in the performing arts that was born riding on the wave of counter-culture in post-war Japan in 1950-1960s. Now in Europe, and some other countries, the term “Ankoku” has been dropped from “Ankoku Butoh”, and the term “Butoh” has become more closely associated with these countries. Losing “ankoku” has resulted in losing sight of the original ideology from when Ankoku Butoh was created and has given rise to many misunderstandings and misinterpretations.
Whatever you may call it, darkness, spirituality, or even something formless, something that cannot be put into words, or simply, the unconscious, the inexplicable, the destroyed and disappeared… …we are actually talking about something that cannot be seen. Something that Hijikata called “ankoku”. Hijikata liked to use the word “yami” (shadowy darkness). It gives the feeling of something that is full of contradiction and irrationality, somewhere like the “chaos of eternal beginning”… To deconstruct Ankoku Butoh with “language” is moving further and further away from the joy of early Ankoku Butoh’s integral quest for “the body as the scene of fulfilled life”.
(from the lecture of Natsu Nakajima)
Registration Registration for 5-day Butoh workshop by Natsu Nakajima with an intensive training of 4 hours per day. The number of places is limited.
Early bird €190,- if registered before 1st of October Late bird €210, if registered after 1st of October
Please register by mail to email@example.com With Subject Title: Registration Butoh Workshop
Payment details will be provided and registration confirmed when payment received on CLOUD/Danslab bank account.
By Emilie Gallier, Tilman Andris, Jamillah Sungkar
‘Papier Multiforme et Papier Comestible’ is one performance inside of which two performances co-habit. Two performances take place on a same stage at the same time; next to each other as if in two neighbouring living rooms with invisible walls.
On one side, the performance of the ‘Papier Multiforme’ involves magic and choreography around a dinner table at which spectators sit. On the other side, the performance of the ‘Papier Comestible’ takes the form of a choreographed book club where spectators experience reading as a convivial act.
At times, the two performances spill into each other, influencing their respective rhythms.
As neighbours of a perceptible adjacent performance, spectators research the impertinent absence and exercise of ubiquity, of being elsewhere, where they are not.
50 minutes, English spoken
6 spectators at the table
12 in the book club
[We will close registration at 18 people.]
Please register in advance by sending an e-mail to Tilman Andris: tilman[you know what]tilmanandris.com
workshop on Sunday, 4th of June 2017, 13h till 17.30h
In this one day event we will experiment with abilities on how to deploy kinetic energy while exploring tools on lowering the resistance of inertia. Our segmental body offers many chances to interact with gravity if we recognise and understand how our body masses are interdependent. Questions like how to create Kinetic energy and recycle it to a maximum will be focus of our research. Proposed movement material and improvisation will be used to find efficient deals with the forces around us.
Contribution: sliding scale from €30 till €50
CLOUD is delighted to have Bariş Mihçi to come teach in Den Haag! This is a wonderful opportunity to get to know this great teacher with a wealth of experience in teaching the Axis Syllabus in various contexts and places across Europe. Bariş will give you a taste of how the tools & information compiled in the Axis Syllabus can enrich your dancing. Feel welcome to join us in the CLOUD studio!
Bariş Mihçi was born 1976 in Wuppertal, Germany and is currently based between Turkey and Europe. He graduated with degrees in social pedagogy, German language, Sports and special education for physically disabled children at the University of Cologne. He completed his studies with a social-cultural research thesis referring to Pina Bausch’s Tanztheater and its artistic research about human relationships. Bariş then began his dancing life. His curiosity about the art of dancing was strongly influenced by following the work of Pina Bausch for over 14 years. Coming from an athletic background, movement was always a big interest to him. In 2001 he was introduced and immersed himself in the Axis Syllabus enabling. Bariş acquired a teacher’s certificate after 4 years and has been teaching regularly for dancers and non-dancers alike across Europe since. He has taught at Studio Hybrid, Dancetrumjette, Espace Catastrophe, the Nomadic College, DOCH, the Cullberg Ballet among many other professional dance training institutions. Bariş’ performance work is based in solo, site specific and improvisation. He has presented solos at Belgart Moment Festival, Festival tanzhautnah, RAC Festival (Brussels) among others. He has also collaborated extensively with Collectif en Transit, devoted to bringing dance to urban public spaces. Bariş is a key organizer of the Nomadic College since 2004 and a member of the Axis Syllabus member assessment panel. Since 2012 Bariş is teaching workshops world-wide in schools or festivals and lives between Turkey and Europe.
How do we perceive, what we sense as home? Does it depend on how close or how distant we are to that point? Home is a physical and metaphoric place that offers protection and security. It is a vivid place that triggers our emotions. When we are nearby home we are rooted and calm but when we are far from it, it can become uncomfortable and sad. People long to be at home and we relate to it, as a place where we want to return to. Usually, the sense of home attenuates as one moves away from that point and at a certain moment is natural to want to leave it, in order to grow and evolve further.
Together with Fazle Shairmahomed and Alina Fejzo (dance) and Marien Okkerse (music), they will look at how proximal or distance we are from what we relate as home trigger self-reflection, thoughts about who someone is or used to be or who they might become. And they will question with it what they want to leave behind, what it remains and where they want to go not just as an individual but as a community and being part of the society we live in.
This workshop is about sharing the working process of Marta Reig Torres’ residency at CLOUD, which will take place from 8-21 of May. Together with participants of the workshop we further explore the meaning of ‘home’. The day will include a preparation of the body and the mind in order to get in touch to our own natural movement taking it further into making little improvisations. Some material, images and frames which are being used in Marta’s residency will be added to this Facebook event in the course of coming two weeks.
Participation fee: donation
Registration by mail to: firstname.lastname@example.org
About Marta Reig Torres
Marta Reig Torres is a choreographer, dancer, teacher and coach based in Rotterdam. She has danced with Nicole Beutler, Conny Janssen Danst, Leine & Roebana and previously in companies like Gulbenkian Ballet in Lisbon, Portugal and The Dutch National Ballet (Het Nationale Ballet). Her choreographic work has been produced by Korzo Productions and co-produced by Dansateliers, DWA Danswerkplaats Amsterdam, Cadance Festival, De Doelen Rotterdam, Codarts and Meekers. It has been selected several times for the Nederlandse Dans Dagen, Dansclick, the Serie Nieuwe Theatermakers, and abroad in different festivals and venues. Her pieces have been performed all over the Netherlands, and in Spain, France, Italy and England. She is also a co-founder of Cloud/Danslab.
“In my work, I aim to reflect and re-look from different perspectives at what is happening to us and around us, and to share the outcomes with an audience. I use themes related to what I consider the essence of human experience, to dreams, ideals, desires and doubts, as well as to the absurdity of seemingly ordinary life stories. My choreographic work is characterized by the atmospheres and situations in which the audience enter the inner world and states of mind and being lived through by the dancers during the performance.”