Costs: 9 euro per class , pay as you go. Both classes are weekly drop-in classes taught in English
Level:These classes are designed for all levels, so everyone is welcome. But please bring your own yogamat.
Costs: 9 euro per class , pay as you go. Both classes are weekly drop-in classes taught in English
Level:These classes are designed for all levels, so everyone is welcome. But please bring your own yogamat.
Where: Cloud at DansLab
When: Every Tuesday starting on 25th of September until 23rd of October 2018
Time: 18:30 until 20u
Price: Full course €120 / Drop-in class €25
Level: beginner to intermediate (bellydance experience is not required as we will cover all the basics during the course)
Registration & more details : email@example.com
( credits foto : Fotograaf Sunny Jagesar)
Dance is an ever evolving organism. Within all disciplines it is apparent that over the years new styles emerge from older ones. One dance form in which this evolution is very clear is bellydance. Having its roots in the Middle East during the 17th and 18th centuries primarily in Egypt, Turkey and Lebanon. But it is believed to be much older. Throughout its history new styles of dance were born within the bellydance genre, for example one of the more recent being ATS (American Tribal Style Bellydance ) and Tribal Fusion Bellydance.
The latest edition in this evolution is the merging of Tribal Fusion Bellydance with Urban dance styles known as Urban Fusion Bellydance.
– An introductory course spread over five classes each delving into combining bellydance with urban dance styles-
The classes will consist of beginner to intermediate bellydance techniques which will gradually level up during the course. On top of that we will layer on an urban dance form, by focusing on one discipline per class.
This course is for the belly dancer looking to add to their vocabulary or the mover/dancer looking for a new challenge.
III is a long-term artistic research and creation project developed since 2014 by choreographer Teoma Naccarato (Montreal/London) and composer John MacCallum (Oakland/Paris), in collaboration with dancers, musicians, and designers across disciplines. III involves a collection of works for stage, screen, and installation, as well as workshops, residencies, and publications. Through the various modes of sharing in III, we appropriate biosensors in order to construct a context for intimate and uncertain encounters between performers, and with audience. III implicates visitors beyond visual consumption, towards shared touch, sound, and movement.
The interdisciplinary scope of our research in III seeks to probe the implicit values that inform interaction with and appropriation of technology in artistic contexts, and to generate strategies for working in collaboration with technology, and as collaborators across disciplines. We propose a viewpoint that technology is not a mediator for interaction—something to be designed to suit a specific artistic goal—but is a collaborator with a frame of reference that must be thoughtfully considered as part of the discourse of the work.
Our current practice in III is focused on devising interdisciplinary performance experiments, traversing traditional to one-on-one performance, sonic/haptic/visual installation, and guided breath and listening practice. We use technologies such as stethoscopes, electrocardiograms, transducers, and handheld mirrors and lights to de-familiarize sensory encounters between performers, and with public. In this residency we will focus on emergent relationships within the interdisciplinary body of work in III, and further, invite audience-participants into the process through an open session in the early stages of devising a performance experiment. The residency will be documented with video and audio recording, as well as photographs and writing, to share selectively online.
III began in 2014 through an Artistic Research Residency at IRCAM, and has continued through partnerships with independent and academic institutions internationally such as C-DaRE (UK), CLOUD/DansLab (NL), CNMAT (USA), Djerassi (USA), Ex-Situ (FR), Synthesis Centre/AME (USA), and Tangente Danse (CA).
Further information on III is available at: https://iii-iii-iii.org
Teoma Naccarato, Choreographer (Montreal/London)
John MacCallum, Composer (Oakland/Paris)
Laura Boudou, Dancer (Marseille)
Ryan Kelly, Percussionist (Montreal)
Christian Smith, Percussionist (Den Haag)
For the upcoming ArtScience exhibition Opening Credits, Aisha Pagnes has developed the following work at CLOUD/Danslab:
‘THERE I AM HERE YOU ARE THERE’ explores complete darkness as a means to simultaneously mask and facilitate presence. In this piece, participants can explore how darkness intensifies the way we feel within ourselves, with others and our surrounding. Vests equipped with glowing magnets abstract the shape and movement of the body to single points of light. Spontaneous movement thus becomes the main influencing agent: a real-time catalyst for affect.
This piece was developed with with the kind support of the following test-audience: Mattia Marani, Luca Conte, Zoë D’Hont, Kasper van der Horst, Loes Roskam, Ábel Fazekas, Pepijn Cim Goudsblom, Vanessa Marcio, Max van der Wal, Julie Hasfjord, Orestes Willemen, Asami Kiuchi,Giovanni Salice, Fotis Rovolis, Sophia Bulgakova, Fazle Shairmahomed, Catherine Ostraya, Mabel Rae, Kay Churcher, Darien Brito, Aju Sheshtra.
Third year students from the ArtScience Interfaculty share their projects from the past year with the broad public. Part of Holaa! Festival, the exhibition is on view at the Grey Space In The Middle from Friday 8 to Sunday 10 of June 2018. You will experience the analogue with the digital, the playful with the composed and the familiar with the ambivalent.
Works presented by:
Kay Churcher, Loes Roskam, Nina Lezaic, Jesús Canuto Iglesias, Mabel Calvert Verbruggen, Sunna Svavarsdóttir, Anastasia Loginova, Lily Hudson, Catherine Ostraya, Sophia Bulgakova, Aisha Pagnes, Stefano Zucchini and Senida Kalender.
[The ArtScience Interfaculty promotes the development of new art forms and artistic languages, teaching its students to apply ideas from one field to another to create innovative and engaging artworks across a wide variety of disciplines.]
Please choose one or more days in which you will like to join
May 24, 28, 29, 31 | From 12.00-14.00.
(presentation: Thursday 5 Juli 19:00)
contact Tatiana via: firstname.lastname@example.org
Tatiana Kolganova is a multimedia artist and researcher. She explores human relationships with a natural environment. Mostly her art practice focuses on the intersection of language, imagination and human senses. Working with different media Tatiana is interested in creation of an art experience with active participation of an audience.
Currently she studies master program of Fine Art at HKU, University of Art, Utrecht NL.
During her residency at Cloud, artist Tatiana Kolganova will develop a participatory performance about imaginary contact with a natural landscape.
Everyone is welcome to join in the process of work and explore the different aspects of collective and personal imagination.
We will experiment with:
-Representative elements of a landscape.
-The power of a ceremonial process
-Different layers of personal imagination.
-Collective creation of an imaginary natural environment
and others prepared and unexpected elements.
After each session we will have a short discussion about the process.
What: a sensorial exercise for a small group of people in complete darkness
For who: open call for test audience, free entry
By who: Aisha Pagnes
“The defensive and unfocused gaze of our time, burdened by sensory overload, may eventually open up new realms of vision and thought, freed of the implicit desire of the eye for control and power.” Juhani Pallasmaa
And perhaps by relying on our sensorial capacity and perceptual ability we can fertilise the grounds of these new realms through artistic experiences, so that we may reclaim the gaze of our whole being.
How does a darkened safe space influence the way we perceive ourselves, our environment and one another?
Over the course of one week, CLOUD/Danslab will become a completely darkened environment.
During this period, I will gently guide you through daily sessions that work toward our sense of presence, sensorial awareness and felt connection.
What does it look like:
We will move delicately in the dark through a sequence of simple movements. Each person is equipped with two light dots* for visual reference.
*(Light-dot: a 6mm magnetised dot that clips on clothing. In darkness it glows white. The glow dims naturally over time).
What will be practically explored:
– When our senses of proprioception, hearing and vision are fully activated in a darkened space, how is our perception of self and of the other influenced?
– How emergent movement is experienced meaningfully in an unconventional environment.
– How verbal variations of the same instructions influence audience participation.
– How can we effectively compose such experience? (one that is repeatable, has a clear beginning, entry, exit and quality).
What can you expect:
– To be an active part of the creative collective process, aimed at finalising a time-based perceptual composition that lends itself to a broader audience as a participatory experience.
We will brainstorm together, go through iterations of movement and sensorial exercises to improve concentration and a sense of togetherness. Your input and feedback as a creative being will shape the week’s progress.
– A warm and friendly environment, with tea, coffee and snacks. In this, a chance to experience this same environment in an expanded and evocative way.
based on your availability, open from Monday 7th to Sunday 13th of May. Times to be decided.
This practice week is part of a work in progress which focuses on audience participation and interaction, whereby simple means such as absence of light and basic movements are the elements driving the poetic experience. Below an excerpt of the sequence:
Situation Body: Participants wear a light-dot on the chest (above clothing) and on the back. The room is completely dark.
Begin by standing upright and still.
As if you were a singly entity,
arrive in unison with the others to a comfortable walking pace.
Profile: Currently studying at the ArtScience Interfaculty, I set up interactive installations where audience participation is the primary concern, as a result, test audiences are key influences in the various stages of development. Non-verbal communication and sensory awareness is a recurrent theme in what I look for. http://cargocollective.com/arp
If you would like to participate or want to know more please get in touch: email@example.com
In May & June 2018 every Wednesday at 6 pm
Arianna Berardi will be teaching Yin & Vinyasa Yoga !
In this Vinyasa & Yin lab we will explore two different worlds of yoga. Literally, Vinyasa means “to place something in a special way”. In a Vinyasa flow, which will be the style of half of the classes, we will coordinate breath and movement, moving into asanas (poses) in a flow-like way. In these classes, you will experience the dynamic and energetic nature of a Vinyasa flow, getting in touch with your body in a fun and challenging way. In the other half of the classes we will explore Yin yoga: a relatively recent style of yoga that combines knowledge from Traditional Chinese Medicine with the more traditional Indian asanas. During a yin yoga class, you will hold poses for 3 to 5 minutes, diving into a meditative state, letting go and releasing of any tension. By finding stillness in a pose for long, yin yoga aids the fluidity of our fascia, a deep sheet of connective tissue that surrounds our muscles and organs. Sounds intriguing, doesn’t it? The goal of this lab is to make yoga accessible and enjoyable to as many people as possible, no matter the age, physical condition or level of acquaintance with yoga. Everyone can join and enjoy! The classes are based on free donations, which means “give what you like/ what you can”.
The lab will start on May 2 , classes will be every Wednesday at 6 pm. Doors open at 5.45 pm. In the first class, we will begin exploring Yin yoga. Bring your own mat if you have one, there will be four mats available in case they are needed. Comfortable clothes are advised, together with a warm sweater or jumper for the final phase of the yoga practice. I am really excited to embark on this journey, and looking forward to meeting plenty of curious and passionate yogis!
“I discovered yoga five years ago, when I first moved to the Netherlands at the age of 18. For a good while, I found in yoga a great physical work out, and a way to put my busy mind on hold. It was only after a few years that I started experiencing a more meditative way of practicing yoga, slowly turning inward to get to know myself on different levels. I am currently following a Yoga Teacher Training, and if all goes well, I will be certified in a couple of months! And as you all can imagine, I am really excited to start practicing with teaching at Cloud. Besides my love for yoga, I am also very passionate about singing, expressive painting, art therapies, and some fields of Psychology. I am currently finishing a master in Child Psychology, and excited about exploring ways to combine art, yoga and children.”
In March 2018, I had a two weeks residency in The Cloud DansLab, in The Hague. During this residency, I started working with the idea of perception, body, movement and vision.
Key words: perceiving, touch, smell, see, feel, movement, formless.
People perceive differently the world around them due to many factors such as nationality, age, gender etc. According to Freud, the infant starts to perceive the world through his/ hers body.
Perception allows behaviour to be generally appropriate to non-sensed object characteristics. For example, we respond to certain objects as though they are doors even though we can only see a long narrow rectangle as the door is ajar.
I am using the vision (present or absent) to change (the condition) of people’s perspectives. I whilst to question the visible via sensations (hear, touch, smell, movement). And to “force” someone to experience simple very basic actions such as walking (with the eyes shut) by feeling not thinking.
The basic questions that need to be answered are:
What do you see?
How do you feel?
What do you hear?
(I can hear a smell or the silence. There is a sense of touch in seeing and a sense of seeing in touch etc.)
Someone needs to lose control in order to perceive differently.
5 – 11 March
Presentation Saturday 10 March 21:00 (doors open 20.30)
Tashi Iwaoka will be working on a new solo – Mother [working title] to be premiered in November 2018. During his residency he will explore the emotional and physical land scape connected to the recent event of his mother passing away. Investigating the personal and universal space in the event of death of a mother and giving them poetic forms to be expressed.
About Tashi Iwaoka
Tashi Iwaoka, an Amsterdam based performance artist/mover studied Contemporary Arts BA(Hons) at Nottingham Trent University (1997-2001 Nottingham UK), Dance and Choreography as a guest student at School for New Dance Development (2002-2003 Amsterdam NL) and Performance Research at DasArts (2004-2007 Amsterdam NL).
After his first Butoh experiences in 1997 with Kazuo Ohno and Kim Itoh in Japan, Iwaoka practiced Butoh based bodywork for over 10 years. Currently he is practising Budo, Japanese martial arts, and working on finding the nucleus of human expression and connection, in relation to the movement skills he has learnt. One of the central driving forces for this is the attempt to fuse his oriental roots and Western perspectives to form a more proper view on ‘being a human’ in this world. He wishes to disinter the universality of Eastern wisdom in order to help us understand what it is to be a human.
Iwaoka is one of the founders of Ehkä-production, an international collective of independent performance and dance makers, based in Turku, Finland, with which he is still closely associated.
Dance, Martial arts & Theater: Eva Bergerová
Voice & Kora, Live music: Dymphi Peeters
Come and dive with us in the ocean of conscious creation!
“It is our mission to empower you to express yourself from the inside out in front of loving eyes by means of dance, theater, martial arts and voice improvisation. We believe that spirituality and creativity are connected”
Goal of the workshop: The opening of the creative energy in everybody by a combination of dance, (martial arts), voice improvisation and theater.
Do you want to express yourself? Feel to dance, use your voice and create? Do you want to live a creative and free life? Then come and taste it.
You will experience a short performance and after that, you are going to dive into the experience of expressing the creativity in your own dance and voice.
You will get a new concept of Ritual theater (Creation and Expression, Dance and Singing) called “Step out of the Story”. We use conscious Theatrical, Dance, Singing and Martial Arts techniques and Improvisation.
Who is a Warrior? It’s the part inside us, which is always in the present moment. Everybody has a Warrior inside! Through the Warrior we are learning to be conscious, we express the energy of life, of freedom, courage and authenticity.
PREVIOUS EXPERIENCE WITH DANCE AND SINGING NO MUST
If you already gained experience in your life in dancing and singing and martial arts it is great, but no must. We believe everybody has an artist inside! This day is about expressing yourself from the inside out in front of loving eyes. We believe that is the greatest gift we can give ourselves and the other.
“When I was 37 I became a professional Dancer and Choreographer. Until this time, in the romantic city of Prague, I was leading a Drama theater company, where I used to direct performances, guide dramaturgy and keep the company going, growing and expanding. There was a time, we had two theater houses and around 50 people working there. Our performances were seen by around 200 000 people.
– I practice Chinese Martial arts for more than 20 years now and teach it for 5 years.
– I directed more than 20 performances. One of them went on for 12 years.
– I am a Dj and a Ceremony leader
– I love to perform Dance and I love to improvise on the stage and in life.”
More info: www.evabergerova.eu
The Dutch Dymphi Peeters is a meditative world music voice artist, who accompanies herself on the African kora.
Her roots lay in the East European Folk music and she gained experience in flamenco, voice expression, improvised music and also opera. Originally Dymphi studied Educational Science and Technology which she is combining with her ongoing spiritual researches and experiences. But life took her on the path of music, where her heart truly lies. In general Dymphi loves to develop and expand her horizons. Dymphi is the kora player of the Mehmet Polat Trio and she performs relaxation concerts with kora and vocals and gives workshops voice improvisation. With her new band Dragonfly she improvises live music for a community of dancers of Ecstatic Dance Utrecht.
More info: www.dymphipeeters.nl
TIME: 10:30-17:00h (doors open 10:00h)
SPACE: CLOUD danslab: De Constant Rebecqueplein 20b, 2518RA Den Haag
PRICE: 85,- incl. btw (has to be paid in advance to reserve your place)
LUNCH: A simple lunch with soup and salad is included in the price. If you like to take extra things you are welcome to do so yourself.
LANGUAGE: English but can be translated into Dutch
RESERVATIONS: Please send a mail to: firstname.lastname@example.org, or if you have any questions: 0644676082
KXKXA is emotion is internet is feminist is feelings is the city is economy is drastic is being emo is shady pink is salt in the wound is love is broken is adventurous is grotesque is dramatic is lost is empty is terrible is black is black is black is black is black is black is black is love is crass is horrific is happening is hopeful is dreaming maybe is terrorism is gun-happy is sad is father is mastery is cleansing is ritual is creating is deepening is destructive is destroying me is destroying is destroying every little thing and every large thing is concubine is mistress is deep is intangible is garbage
About Marikiscrycrycry a.k.a. Malik Nashad Sharpe
Marikiscrycrycry is the performance project of London-based choreographer and artist Malik Nashad Sharpe (b. 1992, New York). They make emotional choreographies that are less like descriptors of themes and more like worlds in themselves. Their work deals primarily with the social imprints and inflections left on the body, existentialism, the necessity to proliferate pro-Queer and pro-Black aesthetics under neoliberal hegemonies, choreography as an expanded formal proposition, and allostatic load. Originally making work in DIY contexts across New York City, their choreography considers aesthetic production and situational politics as radical forms of production. They consider choreography as a tool to suggest ulterior and subversive critiques of an otherwise phobic and unaccommodating world.
14 January 2017
Workshop Egyptian/ Arabic dance with Laura De Gaspari and Sattar AlSaadi (Arabic Ney, Oud and percussion).
We will work on the principles grounding and fluidity in Egyptian dance supported by live rhythms and lyrical notes of the flute and lute.
Registration and payment
Early bird 50 euros till 7th of January
After the 7th it will be 58 euros.
Registration and info: email@example.com